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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™</text>
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                <text>Article, beer, commercial, dragon, La Trobe Journal, Andrew Lynch, Perth, poetry, rugby, St George, St George Illawarra Dragons, St Georgeâ€™s Cathedral, stained glass windows, statue, â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™, The University of Western Australia. </text>
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                <text>&lt;p&gt;&amp;lsquo;&amp;lsquo;Thingless Names&amp;rsquo;? The St George Legend in Australia&amp;rsquo; is an article by Andrew Lynch from The University of Western Australia. It appeared in the La Trobe Journal (No. 81, pp. 40-52) in Autumn 2008. The article briefly considers the impact of medievalism in Australia during the nineteenth century before focussing in particular on the many uses of the figure of St George, with or without the dragon, which can be found throughout Australia. A wide range of examples, including statues, stained glass windows, street names, poetry, beer commercials, St George Illawarra Dragons rugby club, are used, and there is a particular focus on St George&amp;rsquo;s Cathedral in Perth. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_self"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia</text>
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                <text>A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia.  The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work is &amp;copy; Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: &amp;lsquo;The Society for Creative Anachronism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>A student essay submitted by Nancy White as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. In this essay, the author traces the origins, and outlines the principles guiding participation in, the Society for Creative Anachronism (SCA) - a medieval re-enactment group. She explains the ties of the SCA to Victorian medievalism, and the influence of popular culture through films such as Monty Python and the Holy Grail. The essay also discusses the research that is invested in the costumes and names chosen by the participants, and the culture of chivalry that underpins the tournaments they host.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;This work is &amp;copy; Nancy White. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Nancy White: &amp;lsquo;The Society for Creative Anachronism: Origins, Nature and Cultural Labour of its Medievalism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>&lt;p&gt;Scans of the essay questions for the English and Cultural Studies undergraduate course Medieval in the Modern World coordinated by Andrew Lynch at the University of Western Australia. Of particular note is question 12 which asks students to write about a &amp;lsquo;medievalist&amp;rsquo; feature which they can find in Perth. St George&amp;rsquo;s Cathedral, Millenium Swords and Armour, and the Society for Creative Anachronism are all provided as examples. This website is also recommended to students for help in understanding medievalism.&lt;/p&gt;&#13;
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