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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>This article from &lt;em&gt;The Register&lt;/em&gt; in 1915 traces the origins of Mothers&amp;rsquo; Day celebrations to the medieval period, when adolescent children would be afforded a holiday from work on the fourth Sunday in Lent to &amp;lsquo;go a-mothering&amp;rsquo;. On such occasions, the article explains, family members would assemble and pay homage to mothers by presenting gifts, and a general air of festivity ensued with special Church services and prayers containing more than usual reference to family life. While some elements of the festivities were not adopted in Australia, the article continues, the observance of mothers day is regularly marked by the wearing of white flowers, and by annual festivals such as the one conducted at the Young Women&amp;rsquo;s Christian Association headquarters in Adelaide.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article59602764" target="_self"&gt;http://nla.gov.au/nla.news-article59602764&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image showing examples of neo-gothic windows at of the Mitchell Building, The University of Adelaide. The lower row of windows shows sets of twin lancet windows separated by a stone column, while the upper level windows comprise pairs of trefoil pointed lancets, separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch. &#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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                <text>A close-up of the upper level of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style and constructed between 1879 and 1881. In this photograph, a number of the buildingâ€™s neo-gothic features are evident. These include: the upper level windows, which comprise pairs of trefoil pointed lancets separated by a stone mullion and topped with a quatrefoil window, all contained within a single equilateral pointed arch; the blind tracery, arcading and rose window on the adjacent wall; the lancet arcade forming a parapet along the roofline and the false machiolation used for decorative effect below; the gable roof; and the turret.&#13;
&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building officially opened in 1882. It was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today the Mitchell Building is used as an administrative hub. </text>
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About the Mitchell Building:&#13;
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The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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