4 8 141 https://ausmed.arts.uwa.edu.au/files/original/5e452fcf7c1079462c95d6ee46328d8f.doc 199c58cbcda3a1ab754077e9d40bb1a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper articles; Word doc. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Extracts from the Melbourne Newspaper, The Argus Subject The topic of the resource Ned Kelly, bushranger, bushrangers, bush, Kelly Gang, landscape, Australian landscape, law, legal, crime, criminal, legend, legends, myth, mythology, media, armour, knight, knights, police, Edward Kelly, theft, stealing, Melbourne Description An account of the resource A series of extracts from The Argus ranging from 1878 to 1880. They tell of the Kelly Gang's exploits and their encounters with colonial Victorian law enforcement. A few of the extracts towards the end of the list include descriptions of the bullet-proof body armour and helmet worn by Ned Kelly during his final battle with police. Although much cruder, the armour was reminiscent of that worn by knights in the late medieval period. Creator An entity primarily responsible for making the resource The Argus Source A related resource from which the described resource is derived The Argus Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource ca 1878 - 1880 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper article extracts; Word Doc. Language A language of the resource English Armour Australian landscape bush bushranger bushrangers crime criminal Edward Kelly Kelly Gang knight knights landscape law legal legend legends media Melbourne myth mythology Ned Kelly police stealing theft https://ausmed.arts.uwa.edu.au/files/original/3f8bef8d878a0fa1fee7392d239e49c0.pdf 165ed994e4bed972b98f8ed7eb2434e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Bernard Shaw, playwright. Miracle plays of medieval church as influences. Subject The topic of the resource Bernard Shaw, Edith M. Fry, origins of modern theatre, medieval mystery plays, theatre, drama, tragedy and comedy in theatre, medieval church passion play, miracle plays, medieval stage influence on Shaw’s drama, Oberammergau Passion play Description An account of the resource Edith M. Fry interviews Bernard Shaw about his dramatic philosophy. Shaw claims that tragedy and comedy are intertwined. He delivers a short history of the theatre from Greek to modern times. He models his lack of scenery changes on stage from the techniques of the miracle plays of the medieval church. The miracle plays have no curtain; all scenery is placed on the stage; actors pass easily from one location to another without a change of scenery. He cites the Oberammergau Passion Play as an example. Shaw concludes that great drama ought not to depend on elaborate or changing scenery. Creator An entity primarily responsible for making the resource Fry, Edith M. Source A related resource from which the described resource is derived Sydney Morning Herald/National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 15 May 1920 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Bernard Shaw drama Edith M. Fry medieval church passion play medieval mystery plays medieval stage influence on Shaw’s drama Miracle plays Oberammergau Passion play origins of modern theatre play plays theatre tragedy and comedy in theatre Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Online Image URL <p><a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html">http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-04/fig-latrobe-04-081a.html</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jesse Gregson Illuminated Address from New Winning (Newcastle) and Hebburn collieries Subject The topic of the resource Illuminated manuscripts, manuscript, Jesse Gregson, heraldry, pastoralist, agriculture, agricultural, Australian Agricultural Company, Warrah, Liverpool Plains, Newcastle, illuminated addresses, illumination, address, New Winning (Newcastle) and Hebburn collieries, Nobby’s Head, Newcastle Wharf, vellum, medieval illumination, Valda Rigg, coalminer Description An account of the resource The trend in medievalist revivals in all aspects of colonial life included medieval illumination found in addresses, books, presentation certificates or albums. These pieces of carefully crafted work, sometimes on precious vellum, marked special occasions such as retirement, welcomes, congratulations and condolences. Valda Rigg (see Bibliography below) notes the use of chivalric language in these manifestoes. Each address portrayed unique iconography pertinent to its recipient. The addresses are visual insignia or historical keepsakes showing relevant landscapes and/or labour tools and Australian flowers. The Powerhouse Museum has an extensive collection of ‘Illuminated Addresses’. Jesse Grigson’s are but two examples of this genre. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Australian National University Archives Publisher An entity responsible for making the resource available Australian National University Date A point or period of time associated with an event in the lifecycle of the resource 29 Nov 1903 Rights Information about rights held in and over the resource Copyright Applies Australian National University Archive Collection, Jesse Gregson Collection (Aa. Co.) Reference Code: N17/2 Noel Butlin Archives Centre http://www.archives.anu.edu.au/nbac/html/index.php# Format The file format, physical medium, or dimensions of the resource Online Image; Hyperlink address agricultural agriculture Australian Agricultural Company coalminer heraldry illuminated addresses Illuminated manuscripts illumination Jesse Gregson Liverpool Plains manuscript medieval illumination New Winning (Newcastle) and Hebburn collieries Newcastle Newcastle Wharf Nobby’s Head pastoralist Valda Rigg vellum Warrah https://ausmed.arts.uwa.edu.au/files/original/2072f8be2f9c53ac085d7b5674251593.pdf d00844bc9985c0acc0430477c514503c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Review, newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hunchback of Notre Dame, film, 1925 - review Subject The topic of the resource Victor Hugo, Notre-Dame de Paris, gothic revival architecture, gothic, gothic revival, neo-gothic, The Hunchback of Notre Dame, Quasimodo, medieval right of sanctuary, bell-ringing, religious fanaticism, gypsies, Esmeralda, Catholics in Australia, influential novel, novel, novels Description An account of the resource Victor Hugo’s novel, Notre-Dame de Paris, anglicised to ‘The Hunchback of Notre Dame’ explores a number of themes: the role of religious fanaticism in medieval theology, passion and, for Hugo, old versus new Paris. France’s most famous medieval cathedral is the ‘star’ of the show and functions as a backdrop for and focus of the story. The cathedral is portrayed as a place of political and criminal sanctuary (Westminster Church in fourteenth-century London) and a symbol of all that is decaying in Paris. The novel mobilized interest in the cathedral to such an extent that a restoration project followed shortly after. It strengthened a worldwide interest in gothic revival architecture. The review in the West Australian suggests that ‘religious offence’ occurs in the novel but has been ironed out in the film. Whether this offence is anti-Catholic rhetoric or sensitivity to Catholic sentiment in Australia is speculative. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Public Domain National Library of Australia Format The file format, physical medium, or dimensions of the resource Review of Film Launch Language A language of the resource English bell-ringing Catholics in Australia Esmeralda Gothic Gothic Revival gothic revival architecture gypsies influential novel medieval right of sanctuary neo-Gothic Notre-Dame de Paris novel novels Quasimodo religious fanaticism The Hunchback of Notre Dame Victor Hugo https://ausmed.arts.uwa.edu.au/files/original/c81c8ca5333b0e4dcb8e47573eb4f06c.pdf 1577fd1defdfcd1af775d2a12e324f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chaucer’s Portrait Gallery Subject The topic of the resource Chaucer, Englishness, Great poets, companionship, English, novel, novels, literature, literary device Description An account of the resource G.H. suggests that the English novel is indebted to Chaucer’s literary device of throwing together people from assorted social grades to interact. The writer notes that few people read Chaucer for pleasure but if they did master Middle English they would agree that Chaucer was the greatest depicter of social types that English literature has produced. Chaucer’s interest in human nature is his most important quality. Humour and humanity are also characteristics of Englishness, the author remarks. The article finishes with a quote from Dryden: ‘Here is God’s plenty.’ [HH] Creator An entity primarily responsible for making the resource G.H. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 21 September 1940 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Chaucer companionship English Englishness Great poets literary device literature novel novels https://ausmed.arts.uwa.edu.au/files/original/beb4fa5635c958140dc8d6b96afbf964.pdf bf559ff7f631991e9ad7bc6ea3cdec88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meeting of Chamberlain and Eden clad as medieval admirals Subject The topic of the resource Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine Description An account of the resource A ‘Punch’ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled ‘Mediterranean piracy’, saying ‘I say, even in holiday time. I think we shall have to take some notice of this’ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the ‘Cairns Post’ Friday 3 September 1937, ‘Barrier Miner’ (Broken Hill, NSW) Friday 3 September 1937 with headlines ‘Punch Cartoon Urges Britain to Act’, ‘Sydney Morning Herald’ (Thursday 2 September 1937; ‘The West Australian’ Thursday 2 September 1937, ‘Morning Bulletin’ (Rockhampton, Qld.), Friday 3 September 1937, ‘Examiner’ (Launceston, Tas.) Friday 3 September 1937. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived The Canberra Times Publisher An entity responsible for making the resource available The Canberra Times Date A point or period of time associated with an event in the lifecycle of the resource 3 Sept 1937 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Armour caricature cartoon cartoons as political comment Chamberlain Eden France General France Mediterranean piracy Mussolini piracy political politics Pre-World War II Punch Punch Magazine submarines war World War WWII https://ausmed.arts.uwa.edu.au/files/original/172793bb9248f0ac6109bc923559dc77.pdf 8fb2e5e778e005561151d74b4b0c369a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article/review; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatre review: Emlyn Williams ‘The Wind of Heaven’ Subject The topic of the resource Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw ‘Saint Joan’, good versus evil, Minerva Theatre, Jerome K. Jerome, ‘The Passing of the Third Floor Back’ play, jester, pilgrims, pilgrim Description An account of the resource A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, ‘The Wind of Heaven’ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldier’s widow and the whole town. Jerome K. Jerome’s play about a mysterious Stranger is ‘the saint over-done’. The final play, ‘The Marvellous History of Saint Bernard’, divides its stage into heaven, earth and hell. This picture ‘was as real to the medieval mind as the Harbour Bridge is to us’. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play ‘Saint Joan’. Creator An entity primarily responsible for making the resource A.T. Source A related resource from which the described resource is derived Sydney Morning Herald Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 26 April 1947 Rights Information about rights held in and over the resource Public Domain Trove Format The file format, physical medium, or dimensions of the resource Newspaper Review Language A language of the resource English ‘The Passing of the Third Floor Back’ play Adam Adam and Eve angel Barry Jackson Bernard Shaw ‘Saint Joan’ children children as portents of the divine divine divinity drama Eve fifteenth century Gabriel Genesian players good versus evil hagiography Henri Gheon Jerome K. Jerome jester manuscript Marc Connelly medieval saints Minerva Theatre pilgrim pilgrims play saint saints saints in drama Sydney The Green Pastures The Marvellous History of Saint Bernard theatre Wind of Heaven https://ausmed.arts.uwa.edu.au/files/original/a83945794d7c12f1affc3a5c401be031.pdf 26c777deac24f2fc572140703e54cfa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tristram and Iseult. A Long Narrative Poem. Subject The topic of the resource Arthur, Arthurian, Arthurian legend, Arthurian romance, legend, romance, Celtic legend, Cornwall, Edwin Arlington Robinson (1869-1935), Iseult, Isolde, Isolt, knight, ‘Lancelot’, Mark, medieval poetry, ‘Merlin’, narrative poem, Norman poem, Pictish king, poem, poetry, review, trilogy, Tristan, Tristram, ‘Tristram and Iseult’, Tristran, Tristrem, Yseult Description An account of the resource This article from the Western Mail offers a positive review of Edwin Arlington Robinson’s long narrative poem ‘Tristram’, published in 1927. Following poems titled ‘Merlin’ in 1917 and ‘Lancelot’ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. ‘Tristram’ is a retelling, in blank verse, of Béroul’s late twelfth-century medieval romance ‘Tristram and Iseult’. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his ‘Tristram’ in 1928. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 4 August 1927, p. 8 Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English ‘Lancelot’ ‘Merlin’ ‘Tristram and Iseult’ Arthur Arthurian Arthurian legend Arthurian romance Celtic legend Cornwall Edwin Arlington Robinson (1869-1935) Iseult Isolde Isolt knight legend mark medieval poetry narrative poem Norman poem Pictish king poem poetry review romance trilogy Tristan Tristram Tristran Tristrem Yseult