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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Coop&amp;rsquo;s Shot Tower was completed in 1890 by the Coop family and it operated (making lead shot) until 1960. In 1991 it was incorporated into the Melbourne Central shopping complex in central Melbourne under a conical glass roof. The 50 metre high brick shot tower has been made to look like a medieval tower, with crenelated parapet at the top and a small corner turret. There is also a blind cenellation design in the centre of the tower.&lt;/p&gt;&#13;
&lt;p&gt;For the Victorian Heritage Database entry see &lt;a href="http://vhd.heritage.vic.gov.au/vhd/heritagevic%23detail_places;768"&gt;http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;768&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>James Bull Alderson, bank, Bank of New South Wales, column, cupola, moulding, New South Wales, NSW, Varney Parkes, Romanesque, Romanesque Revival, semi-circular arch, Sydney, tower</text>
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                <text>&lt;p&gt;This former Bank of New South Wales building is on the corner of Broadway and Regent Streets in the inner city suburb of Chippendale. It was designed by architects Varney Parkes and James Bull Anderson and was built in 1894. The ornate brick building with moulded plaster work is in the Romanesque Revival style. It has prominent semi-circular arched windows and doorways, multiple columns, and elaborate plasterwork incorporating floral designs. Two rounded corner towers flank the main entrance and end in cupolas on top of the roof.&lt;/p&gt;&#13;
&lt;p&gt;For the biography of one of the architects see &lt;a href="http://adb.anu.edu.au/biography/parkes-varney-7959"&gt;http://adb.anu.edu.au/biography/parkes-varney-7959&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Addison and Kemp, Nahum Barnet, Melbourne, Percy Oakden, Francis Ormond, RMIT, RMIT University, Romanesque, Romanesque Revival, semi-circular arch, Terry and Oakden, tracery, Vic, Victoria, Working Menâ€™s College.</text>
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&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Working Men&amp;rsquo;s College (which became RMIT University) in Melbourne,&lt;br /&gt;Victoria, opened in 1887. The three-storey building was designed by Terry and&lt;br /&gt;Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe&lt;br /&gt;St frontage were added in 1890 and were designed by Percy Oakden Addison and&lt;br /&gt;Kemp. The building is now known as the Francis Ormond Building. The College was&lt;br /&gt;built in the Romanesque Revival style and features semi-circular arches and&lt;br /&gt;doorways, a corner tower with four corner turrets, and window tracery.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1299"&gt;http://ausmed.arts.uwa.edu.au/items/show/1299&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-bidi-font-weight: bold;"&gt;The Working Men&amp;rsquo;s College (which became RMIT University) in Melbourne,&lt;br /&gt;Victoria, opened in 1887. The three-storey building was designed by Terry and&lt;br /&gt;Oakden, and Nahun Barnet and financed by Francis Ormond. The tower and La Trobe&lt;br /&gt;St frontage were added in 1890 and were designed by Percy Oakden Addison and&lt;br /&gt;Kemp. The building is now known as the Francis Ormond Building. The College was&lt;br /&gt;built in the Romanesque Revival style and features semi-circular arches and&lt;br /&gt;doorways, a corner tower with four corner turrets, and window tracery.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1300"&gt;http://ausmed.arts.uwa.edu.au/items/show/1300&lt;/a&gt;</text>
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                <text>&lt;p&gt;This wooden pulpit was removed from the former Christ Church Congregational Church in Launceston, Tasmania, in 2002 (having originally been in another church building) and is now on display in the Queen Victoria Museum and Art Gallery in Launceston. The pulpit was made by Alexander Kidd, a foundational member of the new Congregational Church established in Launceston by John West (1809-1873) in 1839. West had emigrated from England as a missionary preacher the previous year. The pulpit&amp;rsquo;s pedestal and octagonal shape were added by Alexander Kidd (Jnr) in 1906. The pulpit is in the Gothic Revival style with the carved pointed arches and columns reminiscent of the architectural features of Gothic churches built in Europe between the twelfth and sixteenth centuries.&lt;/p&gt;&#13;
&lt;p&gt;For John West see &lt;a href="http://adb.anu.edu.au/biography/west-john-2784"&gt;http://adb.anu.edu.au/biography/west-john-2784&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Christ Church Congregational Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1045"&gt;http://ausmed.arts.uwa.edu.au/items/show/1045&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The John Storey Memorial Dispensary is on the corner of Regent and Lee Streets in the inner-city Sydney suburb of Chippendale. The building was completed as in 1926 as a memorial to former New South Wales Premier John Storey. It was built by Sydney Hospital to help the poorer citizens of the area. It is now a methadone clinic. The John Storey Memorial Dispensary is a medieval-styled building with a central tower and crenelated parapets on the tower and down both sides of the building. It has four-centred, or Tudor, arches on the door, doorway and windows. The inscription above the doorway uses Blackletter, or Gothic, script, a script first used in the twelfth century.</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>hospital</name>
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        <name>John Storey</name>
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        <name>John Storey Memorial Dispensary</name>
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        <name>New South Wales</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Bank, capital, CBC Bank, Classical, column, Commercial Banking Company of Sydney, Gothic, Gothic Revival, Haymarket, library, moulding, New South Wales, NSW, pointed arch, Romanesque, Romanesque Revival, semi-circular arch, Sydney, Sydney City Library, Tudor arch</text>
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            <description>An account of the resource</description>
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                <text>The current Sydney City Library building in Haymarket was built for the Commercial Banking Corporation of Sydney in 1875. The sandstone building on the corner of George and Hay Streets incorporates a number of architectural styles that can be traced back to the medieval period. The ground level of the building has semi-circular arched windows and doorway (not in photograph) in the Romanesque Revival style. Semi-circular arched windows are also featured on the second storey, but the pointed arch mouldings above the windows are in the Gothic Revival style. The small windows on the third storey have Tudor arches. The columns with decorated capitals on the second and third storeys are also common in Romanesque, as well as Classical, architecture.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>17 December 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33978">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="33979">
                <text>Digital Photograph; JPEG</text>
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      <tag tagId="4987">
        <name>Romanesque Revival</name>
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        <name>semi-circular arch</name>
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        <name>Sydney</name>
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      <tag tagId="6291">
        <name>Sydney City Library</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="33966">
              <text>Digital Photograph; JPEG</text>
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                <text>St Johnâ€™s Anglican Church, Kirribilli, Sydney, New South Wales </text>
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            <name>Subject</name>
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                <text>Anglican, Edmund Thomas Blacket, buttress, Church by the Bridge, Church of St John the Baptist, St Johnâ€™s Anglican Church, Kirribilli, New South Wales, NSW, porch, Romanesque, Romanesque Revival, semi-circular arch, spire, Sydney, tower</text>
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                <text>The Church of St John the Baptist, also known as St Johnâ€™s Anglican Church is in the Sydney, New South Wales, suburb of Kirribilli. It was originally built as a church school and was designed by Edmund Thomas Blacket (1817-1883). It was built in 1884, with the vestry and sanctuary added in 1900 and the parish hall (now a kindergarten) in 1909. Due to its position close to one end of Sydney Harbour Bridge St Johnâ€™s is also known as the Church by the Bridge and an evangelical group of that name meet at the church. The Church of St John the Baptist is in the Romanesque Revival style and features semi-circular arched windows and doorways, a circular window, buttresses, a porch, and a copper overlaid bell tower topped by a spire.&#13;
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33964">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>buttress</name>
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        <name>Church of St John the Baptist</name>
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        <name>Edmund Thomas Blacket</name>
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