3 8 141 https://ausmed.arts.uwa.edu.au/files/original/ab2d919baf9fb62efb96403d31d3cad7.jpg 94cc75f1545b892066429d323cade7e9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3494 Width 635 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘On Tapestry’, The Bulletin, 14 July 1910 Subject The topic of the resource Ballad, chivalry, Courtly Love, crusade, E. J. Brady (1869-1952), Holy Land, joust, knight, romance. Description An account of the resource This engaging “McCrae-like medieval narrative ballad” (John B. Webb, “A Critical Biography of Edwin James Brady 1869-1952” PhD Thesis, The University of Sydney, 1972, p.95) concerns the fortunes of a triad of ill-starred lovers. On one hand there is brave Sir Maurice, the wealthy and impetuous knight who excels in chivalric conduct but who is tragically slain while crusading in the Holy Land. On the other is the golden-haired Lady Alice, a romantic counterpart for him who naively “vowed [...] Her Lord he’d be”. Unknown to either of these two quixotically tempered day-dreaming protagonists is the real target of Cupid’s dart, the “crow-haired” ladies maid, who recognises from the outset that her suit is hopeless, and who must content herself with plaintive prayers and “A [hasty] daylight glance.” The tragedy of the missed opportunity that is all too often ‘staring you in the face’ is a theme that Brady also favours and highlights in his less accomplished, more light-hearted medievalist poem, ‘On Keira (See: <a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1032</a>).’ Creator An entity primarily responsible for making the resource E. J. Brady Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 14 July 1910, p.39 Rights Information about rights held in and over the resource Public Domain Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1032</a> Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Ballad chivalry Courtly Love Crusade E. J. Brady (1869-1952) Holy Land joust knight romance https://ausmed.arts.uwa.edu.au/files/original/1d0c2d7ed7c098b7ab0d932a71f2faac.jpg 464b2271fab9adfe30c75c5fd93b9206 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3203 Width 1928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Ballad of Sir Anopheles’, The Bulletin, 18 June 1908 Subject The topic of the resource armour, battle, chivalry, humour, knight, lance, mosquito, ogre, Sir Anopheles. Description An account of the resource The hero of this poem, as the name Sir Anopheles hints, is a mosquito. The author here humorously stages an encounter between man and mosquito as a drawn-out battle between a recumbent Ogre and an intrepid and undaunted medieval knight. It is clear from the start that the tiny knight has the mastery; indeed as the night-long battle progresses, the final result is inevitable, and the sullen Ogre’s defeat is a foregone conclusion: So all night long the battle goes, Until the vanquished ogre sinks Exhausted and the sharp lance drinks His blood [...] Creator An entity primarily responsible for making the resource O. C. Cabot (Edward Newton MacCulloch) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 18 June 1908, p.40 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Armour battle chivalry humour knight lance mosquito ogre Sir Anopheles https://ausmed.arts.uwa.edu.au/files/original/3786fd3e81c6924ee607494755f3886b.jpg 4b603fb5a0f81aa2ad294bbd2dd8545d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 825 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Old Squire’, The Bulletin, 28 May 1908 Subject The topic of the resource â€˜As it is in the Days of Now,â€™ Black Death, conquest, despotism, famine, Henry Lawson (1867-1922), honour, ingratitude, justice, king, knight, knighthood, loyalty, neglect, noble, pestilence, plague, Old Swithin, rescue, service, sickness, siege, Sir William, squire, Swithin, sword, Virland (Old Estonia). Description An account of the resource The Bulletin, which was resolutely “anti-imperialist” in its outlook, published a range of verses, ballads and other “poems in which the Middle Ages were represented as despotic and barbaric” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.143). While ‘The Old Squire’ doesn’t do this explicitly, it is undeniably a “tale of faithful service unrewarded” (D’Arcens, p.144). Here we again follow the adventures of Sir William, Henry Lawson’s cuckolded knight from ‘As it is in the Days of Now’ (See <a href="http://ausmed.arts.uwa.edu.au/items/show/1020" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1020</a>). Sir William, his squire, the King and the narrator ride into Virland with the intention of conquering the City, only to find the inhabitants suffering in the throes of the Black Death. Sir William is portrayed in the poem as arrogant and thoughtless for failing to appreciate the longstanding and faithful service of his squire, Old Swithin. After dutifully clearing out the dead from the City, Swithin collapses after trying to rescue a child from plague infested quarters. He is portrayed as noble in character but, unjustly, not in name; instead, ‘His heart was ever pained, / because of that old knighthood / that he should once have gained’. When his worth is finally recognised and the King attempts to knight him at the end of the poem, it is too late for he is already dead. While not an outright attack on all authority, this poem “implicitly condemns aristocratic arrogance and the [...] inequity of the feudal system” (D’Arcens, p.144). Creator An entity primarily responsible for making the resource Henry Lawson Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 28 May 1908, p.40 Rights Information about rights held in and over the resource Public Domain Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1020">http://ausmed.arts.uwa.edu.au/items/show/1020</a> Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) â€˜As it is in the Days of Now â€™ Black Death conquest despotism famine Henry Lawson (1867-1922) honour ingratitude justice king knight knighthood loyalty neglect noble Old Swithin pestilence plague rescue service sickness siege Sir William squire Swithin sword Virland (Old Estonia) https://ausmed.arts.uwa.edu.au/files/original/a56392e035eb56b1b0e792ef4da26c09.bmp 78fe6be48622f4de9b4529f8da9ed478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Sagamen’, The Bulletin, 2 May 1907 Subject The topic of the resource armour, battle-axe, conquest, dragon ship, Francis William Ophel (1871-1912), Freya, heroism, Iceland, Norns, Odin, paganism, runes, sagas, shields, Skaldic tales, spells, swords, Thor, Valhalla, Valkyrie, Vikings, violence, warriors. Description An account of the resource ‘Prospect Good’ was the nom de plume of the gold prospector, fossicker, and bush poet, Francis William Ophel. This poem, ‘The Sagamen,’ is filled with vivid imagery drawn in the style of Old Icelandic sagas (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.142). According to Ophel’s logic, the content of these Skaldic tales is no different from speeches and editorials designed to legitimize nineteenth-century imperial narratives; they cleverly subvert truth and disguise real-life events under a nuanced and textured layer of bravado and heroic deeds where violence is praised and overvalued. In contrast, Ophel’s is likely suggesting here that there is nothing glorious about slaughter, plunder, theft and rapine, and the over reliance on strong-arm tactics. Presumably the political rationale for this strategy is formed along the lines of: ‘they’ did it ‘back then,’ so it must be alright for ‘us’ to emulate ‘now’; but Ophel, who realises that this reasoning is mendacious, states plainly and firmly in The Sagamen’s final couplet: “The naked truth is hidden / Beneath a web of words". Creator An entity primarily responsible for making the resource â€˜Prospect Goodâ€™ (Francis William Ophel) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 2 May 1907, p.43 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Armour battle-axe conquest dragon ship Francis William Ophel (1871-1912) Freya heroism Iceland Norns Odin paganism runes sagas shields Skaldic tales spells swords Thor Valhalla Valkyrie vikings violence warriors https://ausmed.arts.uwa.edu.au/files/original/2d8d6c9a5a74bd5046879a271c48efd5.jpg 4a7152e6e61289286b5e25d4d9ab07dc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 1127 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘As it is in the Days of Now’, The Bulletin, 12 March 1908 Subject The topic of the resource Absent lover, anti-nostalgia, chivalry, critique, cuckoldry, Courtly Love, false friendship, gold, Henry Lawson (1867-1922), Holy Land, honour, knight, knighthood, Lady Clare, Noblesse oblige, reputation, romance, Sir Antony Mark, Sir William, the Crusades. Description An account of the resource This poem, which is best described as “an anti-nostalgic demystification of chivalric heroism” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.143), draws a link to the medieval past to suggest that little has changed with regards human behaviour. ‘As it is in the Days of Now,’ is a tale of cover-up, falsity, and cuckoldry. Here, everyone but Sir William is aware of an affair that took place between his Lady and his best friend while he was fighting in the Holy Land. The poor man even unwittingly drinks wine in the company of his rival and false friend. Lawson’s ubiquitous narrator states, “And the true friend pledges the false friend thrice.” Lawson refuses to romanticise love in accordance with medieval notions of chivalry. Lust and cupidity are here disguised and subsumed into ‘noblesse oblige,’ and Lawson’s poem rather denigrates selfish ‘knightly’ behaviour, with its false friendships, cuckoldry, and risible notions of Courtly Love. The poem in fact, is an angry riposte to nineteenth-century nostalgia and naiveté as it relates to the individual’s lack of nous and foresight. Creator An entity primarily responsible for making the resource Henry Lawson Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 12 March 1908, p.39 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Absent lover anti-nostalgia chivalry Courtly Love critique cuckoldry false friendship gold Henry Lawson (1867-1922) Holy Land honour knight knighthood Lady Clare Noblesse oblige reputation romance Sir Antony Mark Sir William the Crusades https://ausmed.arts.uwa.edu.au/files/original/eafeb3cf9c0800d5cdf8fff9f073ce2e.jpg cbe925ec00a56c53004a423779944d21 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3503 Width 868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘My Lady of the Lake’, The Bulletin, 15 December 1904 Subject The topic of the resource Adam Lindsay Gordon (1833-1870), Alfred Lord Tennyson (1809-1892), Algernon Charles Swinburne (1837-1909), Arthurian myth, Charles Crawford, Ex-Voto, Geoffrey Chaucer (c.1343-1400), Joyous Garde, Nixon Waterman (1859-1944), Sir Walter Scott (1771-1832), The Girl Who Loved Him So, The Lady of Shallot, The Lady of the Lake, The Parliament of Fowls, Victorian medievalism, Victorian poetry. Description An account of the resource This light-hearted poem by Charles Crawford is packed with poetic allusion, and with classical, medieval, and medievalist references. We find mention of several beautiful women from classical antiquity: Queen Semiramis, Eurydice, Judith, Cytheris, and Helen of Troy. However, this is similar to a listing that renowned medieval author Geoffrey Chaucer provides in The Parliament of Fowls. There is also a barely altered line from Adam Lindsay Gordon’s medievalist poem Joyous Garde, which Crawford renders: “And mute and still I stood, until” (as opposed to Gordon’s “And I stood watching [...] still and mute”). They amount to much the same thing: the fascinated and enraptured male gaze. Additionally, there is half a line from a poem by American writer and columnist Nixon Waterman, and Charles Swinburne is represented through use of the descriptive phrase “[That in] my veins like wine.” Yet, this poem is not some wistful legend revived by Sir Walter Scott or Lord Tennyson as the title would suggest. It is an Australian poem (for we hear “The bell-bird’s call”) and a pragmatic worldly poem, which rather pokes fun at nostalgic Romantic styles: But shame on it, to think a bit Of muslin skirt, Combined with witchery and wit, And Venus modelled into it [...] Should get beneath a fellow’s guard, And hit him straight and hit him hard. Creator An entity primarily responsible for making the resource Charles Crawford Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 December 1904, p.39 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Adam Lindsay Gordon (1833-1870) Alfred Lord Tennyson (1809-1892) Algernon Charles Swinburne (1837-1909) Arthurian myth Charles Crawford Ex-Voto Geoffrey Chaucer (c.1343-1400) Joyous Garde Nixon Waterman (1859-1944) Sir Walter Scott (1771-1832) The Girl Who Loved Him So The Lady of Shallot The Lady of the Lake The Parliament of Fowls Victorian medievalism Victorian poetry https://ausmed.arts.uwa.edu.au/files/original/601b08ca78e01a5dab5005ce22bc97b0.jpg c3e86d64e42a281cc480b8791f865d52 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 2082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘A Ro-Me-Owe and Jew-Liet Revival (New Reading)’, The Bulletin, 17 November 1904 Subject The topic of the resource Balcony scene, Bulletin cartoons, economy, Her Majesty’s Theatre, I.O.U., James C. Williamson (1845-1913), Livingston Hopkins aka ‘Hop’ (1846-1927), loan, Miss Tittell Brune (1875-1974), New South Wales, NSW State loans, Romeo and Juliet, satire, Sir Joseph Carruthers (1856-1932), state politics, Sydney Morning Herald, William Shakespeare (c.1564-1616), usury. Description An account of the resource ‘Hop’ produced this Bulletin cartoon at a time when J. C. Williamson’s theatre company was staging William Shakespeare’s ‘Romeo and Juliet’ at Her Majesty’s Theatre in Sydney. The popular young American actress Miss Tittell Brune was in the starring role, with Mr R. A. Greenaway as Romeo and Mr Roy Redgrave (patriarch of the famous English acting family) as Mercutio (See The Sydney Morning Herald, Nov 12, 1904, p. 2. <a href="http://trove.nla.gov.au/ndp/del/page/1329960?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1329960?</a>) Judging from reviews written at the time, Miss Brune’s “charming” balcony performance was hugely successful (See, for example, The Sydney Morning Herald, Nov 16, 1904, p. 2. <a href="http://trove.nla.gov.au/ndp/del/page/1330003?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1330003?</a>). So, Hop’s cartoon was not only timely but also bound to raise a laugh or a smile of recognition from Sydney theatre-goers. The NSW government was barely into its fifth month of office, and Sir Joseph Carruthers − who was both premier and treasurer − had inherited the difficult task of dealing with accumulated State debts. The Sydney Morning Herald calculated that NSW owed around £4,310,000, to be paid-off over thirty years (The Sydney Morning Herald, October 10, 1904, p. 6. <a href="http://trove.nla.gov.au/ndp/del/page/1329596?" target="_blank">http://trove.nla.gov.au/ndp/del/page/1329596?</a>). Subsequently, Hop depicts premier Carruthers fawning and gesticulating to a bored and stereotypically Jewish financier. In the background, three spheres suspended in the night sky represent usury. Hop’s critique of the NSW economy is clearly designed to keep the matter firmly under continuous (and sceptical) public scrutiny. Creator An entity primarily responsible for making the resource Livingston Hopkins (â€˜Hopâ€™) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 17 November 1904, Cover Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Balcony scene Bulletin cartoons economy Her Majestyâ€™s Theatre I.O.U. James C. Williamson (1845-1913) Livingston Hopkins aka â€˜Hopâ€™ (1846-1927) loan Miss Tittell Brune (1875-1974) New South Wales NSW State loans Romeo and Juliet satire Sir Joseph Carruthers (1856-1932) state politics Sydney Morning Herald usury William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/5374e6eab04f9ddcd31e7d77e18d5f13.jpg 2152b77e462dfc8f304eb7c3602fa17f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3431 Width 1632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Chivalry’, The Bulletin, 15 September 1904 Subject The topic of the resource chivalry, Creeve Roe, death of chivalry, debate, Petrarch, romance, â€˜Romanceâ€™, sonnet, tradition, Victor Daley (1858-1905). Description An account of the resource At the time Victor Daley composed this poem, a debate had erupted over whether chivalry and romance, at least within the Australian context, were dead. That was certainly the argument put forward in an earlier poem, ‘Romance’ by L. D., which was published in The Bulletin in 1885. In December 1902 Victor Daley wrote his own explanation (See Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.139), beginning: “They say that fair Romance is dead, and in her cold grave lying low.” Nearly two years later, in September 1904 and writing under the pseudonym Creeve Roe, Daley penned this more credible hypothesis for the continued survival of chivalry and romance. Although in this later poem the medieval content is limited to a fleeting reference to the elaborate sonnets of Petrarch (d. 1374) and the veneer of archaic-sounding expressions, it is prefaced with an explanation that ties it to the debate over the death of chivalry and romance. In Daley’s previous poem ‘Romance’ (1902), we find more explicit Arthurian references to “Gold Gudrun, and Guinevere,” and “Merlin wise,” and “Castle Perilous, beyond the dark Enchanted Wood.” While Daley’s poem ‘Romance’ underlines the continued existence of romantic sensibilities despite the fact that, as a rapidly developing country, Australia was dominated by Mammon and Machinery (See D’Arcens, p.139), the light-hearted Creeve Roe poem offers a more practical and mischievous solution. The surest way, says the poet, for the continuance of chivalrous behaviour in an Australian setting, is for women to live up to the impossible standards imposed on them by tradition and the whimsy of men. Creator An entity primarily responsible for making the resource Creeve Roe (Victor Daley) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 September 1904, p.15 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) â€˜Romanceâ€™ chivalry Creeve Roe death of chivalry debate Petrarch romance sonnet Victor Daley (1858-1905)