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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The interior features of St. Mary's Cathedral in East Perth, WA. As these images suggest, the cathedral combines typically neo-gothic archways and domes with the clean, crisp lines of its more recent renovations, which were completed in 2009.&#13;
&#13;
About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Images of recreationist knights wearing â€˜Great Helmâ€™ style helmets at the Perth Medieval Fayre. The Great Helm is a cylindrical helmet that encloses the entire head, with a flat top and eye slits for vision. It was adopted as the predominant style of helmet worn by knights in the early thirteenth century, replacing earlier â€˜normanâ€™ styles that offered only a nasal bar to protect the face from injury.&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of a font in St Georgeâ€™s Cathedral, Perth. The font was sculpted in Donnybrook stone in 1930 by Herbert Parry, son of Bishop Parry. The font has eight facets, one of which features the intertwined initials I.H.S., a common medieval abbreviation, or Christogram, for Jesus taken from the first three letters of his name in Greek.</text>
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        <name>St George</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, Western Australia.</text>
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                <text>altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia</text>
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                <text>&lt;p&gt;Image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>Lynch, Andrew</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="15251">
                <text>21 May 2004</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15252">
                <text>Photographed with permission of the Dean, St Georgeâ€™s Cathedral</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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PDF</text>
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              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/69611"&gt;http://hdl.handle.net/10462/deriv/69611&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Members of the Saint David's Society of Brisbane</text>
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                <text>banner, banners, Saint David, St David, saint, saints, society, societies, association, associations, club, clubs, fraternity, fraternities, Qld, Queensland, Brisbane, dragon, Wales, Welsh, Welsh dragon</text>
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                <text>&lt;p&gt;An image depicting men and women of the Welsh Saint David's Society of Brisbane, gathered around the Society's banner, which depicts a dragon.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;BRIEF HISTORY OF THE SOCIETY:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Saint David&amp;rsquo;s Welsh Society was founded on 16th April 1918 with the aim of acknowledging and celebrating the Welsh origins of its members and to promote an appreciation of various aspects of Welsh culture within the Brisbane community of Welsh immigrants and their descendants. The Society continues to fill that role and welcomes as members all those with historical or cultural connections with Wales or an interest in Welsh cultures and history. Some of the traditions brought to Australia are still recognised and enjoyed by the Society.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;AIMS OF THE SOCIETY: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The aims of the Society are to promote the following:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Welsh culture, language, literature and music;&lt;/li&gt;&#13;
&lt;li&gt;Welsh traditions and ceremonies;&lt;/li&gt;&#13;
&lt;li&gt;The Arts and Sciences associated with and derived from Wales and Welsh;&lt;/li&gt;&#13;
&lt;li&gt;Fellowship and a sense of community among our members by means of regular meetings and functions;&lt;/li&gt;&#13;
&lt;li&gt;&amp;nbsp;To foster relationships with other organizations in Australia and overseas which have similar aims.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Discover more about the Society at:&lt;a href="http://www.brisbanewelsh.org.au/"&gt;http://www.brisbanewelsh.org.au/&lt;/a&gt;</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>Fegan, Brisbane</text>
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