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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Painting, watercolour and pencil on buff paper</text>
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              <text>16 x 23 cm</text>
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              <text>&lt;a href="http://www.slv.vic.gov.au/pictures/gid/slv-pic-aaa39993"&gt;http://www.slv.vic.gov.au/pictures/gid/slv-pic-aaa39993&lt;/a&gt;</text>
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                <text>â€˜Road Knightsâ€™ by Daniel Rutter Long</text>
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                <text>art, artwork, Gippsland, rural Victoria, Daniel Rutter Long, knight, Road knights</text>
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                <text>This artwork by artist Daniel Rutter Long is titled â€˜Road Knightsâ€™. Completed in 1883, it is a watercolour and pencil painting depicting a rural farmhouse, cows, trees, an Aboriginal man wearing European dress, a seated woman and a child. The artist, Daniel Rutter Long (c.1803-1886), emigrated to Port Phillip from England with his wife and six children in 1840. He established a practice as a pharmacist in Bourke Street, Melbourne in 1843, and took up painting when he retired in 1857. Long produced a number of landscapes, including the collection of views of Gippsland that â€˜Road Knightsâ€™ belongs to. </text>
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                <text>Long, Daniel Rutter</text>
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                <text>State Library of Victoria, Accession no(s) H2003.91/31</text>
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                <text>D.R. Long Collection of Views of Gippsland.</text>
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                <text>1883</text>
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                <text>State Library of Victoria</text>
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                <text>Hyperlink; Painting</text>
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        <name>Daniel Rutter Long</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Periodical [orig.];&#13;
PDF</text>
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              <text>&lt;p&gt;See Page 98&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Chaucer. [From various sources].</text>
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                <text>biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer  (c.1340-1400), Hainault, heresy,  John of Gaunt (1340â€“1399), John Milton (1608â€“1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564â€“1616).</text>
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                <text>&lt;p class="MsoNormal"&gt;This column from the &lt;em&gt;Colonial Literary Journal&lt;/em&gt; in 1844 provides a biography of medieval poet Geoffrey Chaucer. Quoting from an unnamed source, the article names Chaucer alongside Spenser, Shakespeare and Milton as one of the &amp;lsquo;Four Great English Poets&amp;rsquo;, and credits him with helping to form the English language. In its praise of Chaucer&amp;rsquo;s poetry, the article likens him to a range of Renaissance painters: &amp;ldquo;Chaucer excels in pathos, in humour, in satire, character, and description. &amp;ndash;His graphic faculty, and healthy sense of the material, strongly ally him to the painter; and perhaps a better idea could not be given of his universality than by saying, that he was at once the Italian and the Flemish painter of his time, and exhibited the pure expression of Raphael, the devotional intensity of Domenechino. The colour and corporeal fire of Titian, the manners of Hogarth, and the homely domesticities of Ostade and Teniers!&amp;rdquo;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Although the article lists 1328 as the year of Chaucer&amp;rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &amp;lsquo;Chaucer, Geoffrey (c.1340&amp;ndash;1400)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/5191" target="_blank"&gt;http://www.oxforddnb.com/view/article/5191&lt;/a&gt;, accessed 24 Feb 2011.&lt;/p&gt;</text>
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                <text>Various</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="12914">
                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information, Volume 1, Number 7, p.98.</text>
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              <elementText elementTextId="12915">
                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information</text>
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                <text>Thursday 8 August 1844</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12917">
                <text>Colonial Literary Journal</text>
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        <name>Dante Alghieri (c.1265-1321)</name>
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        <name>Geoffrey Chaucer  (c.1340-1400)</name>
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        <name>John of Gaunt (1340â€“1399)</name>
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        <name>John Wycliffe (d.1384)</name>
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        <name>medieval poet</name>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>He Still Wears the Ruff and Doublet</text>
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                <text>Adam Lindsay Gordon, Alfred Hill (1869-1960), Australian poet, Camden, doublet, Elizabeth II, Hugh Raymond McCrae (1876-1958), international appeal, Kenneth Slessor (1901-1971), line-drawings, medieval clothing, medieval lyricism, New South Wales, Norman Lindsay (1879-1969), O.B.E., pastoral poetry, poetry, royal investiture, ruff, sketches, Sydney</text>
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                <text>This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled â€˜He still wears the Ruff and Doubletâ€™ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was â€˜perpetually haunted by the loss of his ruff and doubletâ€™. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called â€˜Joan of Arcâ€™. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. </text>
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                <text>O.R.</text>
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                <text>National Library of Australia</text>
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                <text>Sydney Morning Herald</text>
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                <text>Saturday 27 March 1954, p. 11.</text>
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                <text>Sydney Morning Herald</text>
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        <name>Adam Lindsay Gordon</name>
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        <name>medieval clothing</name>
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        <name>O.B.E.</name>
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        <name>pastoral poetry</name>
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                <text>Notes from The Doctorâ€™s Diary: Winter Dressing</text>
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                <text>In this Western Mail column, a GP provides anecdotes from his consultations with patients. These include a man concerned about winter chills, a man whose father was either poisoned or died from appendicitis, a woman concerned about goitres and a patient to whom the doctor explained the difference between cat-gut and silkworm-gut stitches. At the end of the article is a section titled â€œMedieval Health, from this weekâ€™s readingâ€. Following two notes about the injurious historical practice of binding womenâ€™s waists and eighteenth-century corsets, this section contains the following curious comment about the perceived absence of psychiatric medicine in medieval England: â€œAs â€˜Punchâ€™ points out, â€˜The reason that there were no psychiatrists in medieval England is that the country was only sparsely inhabitedâ€™â€.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>National Library of Australia</text>
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                <text>&lt;em&gt;The Western Mail&lt;/em&gt;</text>
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                <text>7 July 1949, pp. 30-31.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="4898">
                <text>&lt;em&gt;The Western Mail&lt;/em&gt;</text>
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        <name>silkworm-gut</name>
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        <name>stitches</name>
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              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Watercolour drawing&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=431135" target="_blank"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=431135&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Trades and Industrial Hall and Literary Institute Association of Sydneyâ€™s Illuminated Address presented to Thomas Bavister, 1906.</text>
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                <text>associations, carpenter, Christmas Bells, commemoration, flannel flowers, flowers, 'Illuminated Address', illuminated documents, illumination, Literary Institute, New South Wales, outstanding service, politician, Sydney, Sydney Heads, Thomas Bavister (1850-1923), tools, Trades and Industrial Hall and Literary Institute Association of Sydney, trade union, trade unionist, Trades Hall, tradesman, wattle, worker, workers</text>
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            <description>An account of the resource</description>
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                <text>An illuminated address presented to Thomas Bavister, trade unionist and politician, by the Trades and Industrial Hall and Literary Institute Association of Sydney to recognise his service to the association. Illuminated addresses were a popular way to commemorate events or committed service in the late Victorian period. The address reads â€œPresented to Thomas Bavister, Esq. In recognition of his services as chairman of the above association from February 9th 1906 to August 8th 1906â€ and is signed by the serving Chairman and Secretary. It is surrounded by watercolour drawings depicting a male worker (possibly a carpenter) with his tools on the left, and insets of Sydney Heads, Trades Hall, and a Literary Institute building. It is also decorated with drawings of native flowers such as wattle, flannel flowers and Christmas Bells.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12947">
                <text>Picture Australia/State Library of New South Wales</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Trades and Industrial Hall and Literary Institute Association of Sydney</text>
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            <name>Date</name>
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                <text>1906</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12950">
                <text>State Library of New South Wales</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>illuminated documents</name>
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        <name>illumination</name>
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        <name>Literary Institute</name>
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        <name>Thomas Bavister (1850-1923)</name>
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        <name>Trade Union</name>
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        <name>Trades and Industrial Hall and Literary Institute Association of Sydney</name>
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              <name>Title</name>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Black &amp; White Photograph</text>
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              <text>&lt;a href="http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398"&gt;http://www.adm.monash.edu.au/records-archives/archives/cgi-alias/monpix?IMAGE_NUMBER=4398&lt;/a&gt;</text>
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                <text>"Rumpelstiltskin" Pan Pow Productions stage performance at Monash University, 1974</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Alexander Theatre, child, fairytale, gold, Grimm Brothers, king, knights, medieval costume, medieval dress, Monash University, Monash, university, Pan Pow Productions, performers, play, queen, Rumpelstiltskin, spinning wheel, straw, theatre, theatre group, theatrical production, Victoria</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A Photograph of Act 1, Scene 4 from a 1974 stage performance of "Rumpelstiltskin" at the Alexander Theatre, Monash University, featuring Beverley Gardiner as Gretchen and Penelope Richards and Paul Kennedy as the two knights.&#13;
&#13;
â€œRumpelstiltskinâ€ is a childrenâ€™s fairytale by Jacob and Wilhelm Grimm. It was first written in 1812 and expanded in 1857. It tells the story of a Millerâ€™s daughter who is forced to spin straw into gold on threat of her life for three successive nights. A little man appears and offers to spin the straw for reward. On the first night she gives him her necklace, on the second her ring but on the third she has nothing to give and promises him her first born child. Years later, after she has married the king and has her first child, the man appears and gives the queen three days to guess his name or he will take her child. After two days of guessing to no avail, the queenâ€™s messenger (according to the 1857 version) stumbles upon the man dancing and singing in a house in the forest. The song he sings mentions his name, which the queen correctly reveals the following day. Although no date is given in the tale, the characters - involving a king, a queen and royal knights - and the importance of the spinning wheel are often assumed to indicate a medieval setting.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="12956">
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            <name>Source</name>
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                <text>Monash University Archives</text>
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            <name>Publisher</name>
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            <elementTextContainer>
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              <elementText elementTextId="12959">
                <text>1974</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12960">
                <text>Monash University</text>
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        <name>child</name>
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        <name>fairytale</name>
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        <name>gold</name>
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        <name>Grimm Brothers</name>
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        <name>king</name>
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        <name>knights</name>
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        <name>medieval costume</name>
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        <name>medieval dress</name>
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        <name>Monash</name>
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        <name>Monash University</name>
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        <name>Pan Pow Productions</name>
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        <name>performers</name>
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        <name>play</name>
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        <name>queen</name>
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        <name>Rumpelstiltskin</name>
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      <tag tagId="1388">
        <name>spinning wheel</name>
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      <tag tagId="1389">
        <name>straw</name>
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      <tag tagId="348">
        <name>theatre</name>
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â€˜Murder in the Cathedralâ€™ is a verse drama written by T. S. Eliot and first performed in 1935. The plot recreates the murder of Archbishop Thomas Becket by four knights at Canterbury Cathedral on 29 December 1170. The knights - Reginald Fitzurse, Hugh de Morville, William de Tracy and Richard le Bret - had overhead Henry II complaining about Becket and interpreted it as an order to kill him.</text>
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                <text>National Archives of Australia, Image number L34653</text>
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                <text>Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson&lt;/a&gt;</text>
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