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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Watercolour drawing&lt;/p&gt;&#13;
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                <text>Trades and Industrial Hall and Literary Institute Association of Sydneyâ€™s Illuminated Address presented to Thomas Bavister, 1906.</text>
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                <text>associations, carpenter, Christmas Bells, commemoration, flannel flowers, flowers, 'Illuminated Address', illuminated documents, illumination, Literary Institute, New South Wales, outstanding service, politician, Sydney, Sydney Heads, Thomas Bavister (1850-1923), tools, Trades and Industrial Hall and Literary Institute Association of Sydney, trade union, trade unionist, Trades Hall, tradesman, wattle, worker, workers</text>
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                <text>An illuminated address presented to Thomas Bavister, trade unionist and politician, by the Trades and Industrial Hall and Literary Institute Association of Sydney to recognise his service to the association. Illuminated addresses were a popular way to commemorate events or committed service in the late Victorian period. The address reads â€œPresented to Thomas Bavister, Esq. In recognition of his services as chairman of the above association from February 9th 1906 to August 8th 1906â€ and is signed by the serving Chairman and Secretary. It is surrounded by watercolour drawings depicting a male worker (possibly a carpenter) with his tools on the left, and insets of Sydney Heads, Trades Hall, and a Literary Institute building. It is also decorated with drawings of native flowers such as wattle, flannel flowers and Christmas Bells.</text>
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                <text>Picture Australia/State Library of New South Wales</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Newspaper Article:&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article39094610" target="_blank"&gt;http://nla.gov.au/nla.news-article39094610&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Notes from The Doctorâ€™s Diary: Winter Dressing</text>
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                <text>Anecdote, appendicitis, cat-gut, clothing, corset, diary, doctor, goitre, GP, health, medicine, medieval England, medieval health, medieval population, patient, physician, psychiatrist, psychiatric medicine, â€œPunchâ€, silkworm-gut, stitches, winter</text>
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                <text>In this Western Mail column, a GP provides anecdotes from his consultations with patients. These include a man concerned about winter chills, a man whose father was either poisoned or died from appendicitis, a woman concerned about goitres and a patient to whom the doctor explained the difference between cat-gut and silkworm-gut stitches. At the end of the article is a section titled â€œMedieval Health, from this weekâ€™s readingâ€. Following two notes about the injurious historical practice of binding womenâ€™s waists and eighteenth-century corsets, this section contains the following curious comment about the perceived absence of psychiatric medicine in medieval England: â€œAs â€˜Punchâ€™ points out, â€˜The reason that there were no psychiatrists in medieval England is that the country was only sparsely inhabitedâ€™â€.</text>
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                <text>National Library of Australia</text>
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                <text>&lt;em&gt;The Western Mail&lt;/em&gt;</text>
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                <text>7 July 1949, pp. 30-31.</text>
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                <text>&lt;em&gt;The Western Mail&lt;/em&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>He Still Wears the Ruff and Doublet</text>
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                <text>Adam Lindsay Gordon, Alfred Hill (1869-1960), Australian poet, Camden, doublet, Elizabeth II, Hugh Raymond McCrae (1876-1958), international appeal, Kenneth Slessor (1901-1971), line-drawings, medieval clothing, medieval lyricism, New South Wales, Norman Lindsay (1879-1969), O.B.E., pastoral poetry, poetry, royal investiture, ruff, sketches, Sydney</text>
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                <text>This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled â€˜He still wears the Ruff and Doubletâ€™ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was â€˜perpetually haunted by the loss of his ruff and doubletâ€™. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called â€˜Joan of Arcâ€™. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. </text>
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                <text>National Library of Australia</text>
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                <text>Sydney Morning Herald</text>
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                <text>Saturday 27 March 1954, p. 11.</text>
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                <text>Sydney Morning Herald</text>
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        <name>Alfred Hill (1869-1960)</name>
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        <name>Australian poet</name>
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        <name>Camden</name>
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        <name>doublet</name>
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        <name>Elizabeth II</name>
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        <name>Hugh Raymond McCrae (1876-1958)</name>
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              <text>Periodical [orig.];&#13;
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              <text>&lt;p&gt;See Page 98&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Chaucer. [From various sources].</text>
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                <text>biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer  (c.1340-1400), Hainault, heresy,  John of Gaunt (1340â€“1399), John Milton (1608â€“1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564â€“1616).</text>
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&lt;p class="MsoNormal"&gt;Although the article lists 1328 as the year of Chaucer&amp;rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &amp;lsquo;Chaucer, Geoffrey (c.1340&amp;ndash;1400)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/5191" target="_blank"&gt;http://www.oxforddnb.com/view/article/5191&lt;/a&gt;, accessed 24 Feb 2011.&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Painting, watercolour and pencil on buff paper</text>
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              <text>&lt;a href="http://www.slv.vic.gov.au/pictures/gid/slv-pic-aaa39993"&gt;http://www.slv.vic.gov.au/pictures/gid/slv-pic-aaa39993&lt;/a&gt;</text>
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                <text>â€˜Road Knightsâ€™ by Daniel Rutter Long</text>
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                <text>This artwork by artist Daniel Rutter Long is titled â€˜Road Knightsâ€™. Completed in 1883, it is a watercolour and pencil painting depicting a rural farmhouse, cows, trees, an Aboriginal man wearing European dress, a seated woman and a child. The artist, Daniel Rutter Long (c.1803-1886), emigrated to Port Phillip from England with his wife and six children in 1840. He established a practice as a pharmacist in Bourke Street, Melbourne in 1843, and took up painting when he retired in 1857. Long produced a number of landscapes, including the collection of views of Gippsland that â€˜Road Knightsâ€™ belongs to. </text>
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              <elementText elementTextId="12841">
                <text>State Library of Victoria, Accession no(s) H2003.91/31</text>
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              <elementText elementTextId="12842">
                <text>D.R. Long Collection of Views of Gippsland.</text>
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                <text>1883</text>
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              <elementText elementTextId="12844">
                <text>State Library of Victoria</text>
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                <text>Hyperlink; Painting</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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                <text>Early English Portraiture</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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              <elementText elementTextId="14878">
                <text>11 December 1930, p. 12.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14879">
                <text>Western Mail</text>
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