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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>G.H. suggests that the English novel is indebted to Chaucerâ€™s literary device of throwing together people from assorted social grades to interact. The writer notes that few people read Chaucer for pleasure but if they did master Middle English they would agree that Chaucer was the greatest depicter of social types that English literature has produced. Chaucerâ€™s interest in human nature is his most important quality. Humour and humanity are also characteristics of Englishness, the author remarks. The article finishes with a quote from Dryden: â€˜Here is Godâ€™s plenty.â€™ [HH]&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Victor Hugoâ€™s novel, Notre-Dame de Paris, anglicised to â€˜The Hunchback of Notre Dameâ€™ explores a number of themes: the role of religious fanaticism in medieval theology, passion and, for Hugo, old versus new Paris. Franceâ€™s most famous medieval cathedral is the â€˜starâ€™ of the show and functions as a backdrop for and focus of the story. The cathedral is portrayed as a place of political and criminal sanctuary (Westminster Church in fourteenth-century London) and a symbol of all that is decaying in Paris. The novel mobilized interest in the cathedral to such an extent that a restoration project followed shortly after. It strengthened a worldwide interest in gothic revival architecture. The review in the West Australian suggests that â€˜religious offenceâ€™ occurs in the novel but has been ironed out in the film. Whether this offence is anti-Catholic rhetoric or sensitivity to Catholic sentiment in Australia is speculative. &#13;
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National Library of Australia</text>
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                <text>Illuminated manuscripts, manuscript, Jesse Gregson, heraldry, pastoralist, agriculture, agricultural, Australian Agricultural Company, Warrah, Liverpool Plains, Newcastle, illuminated addresses, illumination, address, New Winning (Newcastle) and Hebburn collieries, Nobbyâ€™s Head, Newcastle Wharf, vellum, medieval illumination, Valda Rigg, coalminer</text>
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                <text>The trend in medievalist revivals in all aspects of colonial life included medieval illumination found in addresses, books, presentation certificates or albums. These pieces of carefully crafted work, sometimes on precious vellum, marked special occasions such as retirement, welcomes, congratulations and condolences. Valda Rigg (see Bibliography below) notes the use of chivalric language in these manifestoes. Each address portrayed unique iconography pertinent to its recipient. The addresses are visual insignia or historical keepsakes showing relevant landscapes and/or labour tools and Australian flowers. The Powerhouse Museum has an extensive collection of â€˜Illuminated Addressesâ€™. Jesse Grigsonâ€™s are but two examples of this genre.</text>
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                <text>Copyright Applies&#13;
Australian National University Archive Collection, Jesse Gregson Collection (Aa. Co.) &#13;
Reference Code: N17/2&#13;
Noel Butlin Archives Centre&#13;
http://www.archives.anu.edu.au/nbac/html/index.php#</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;a href="http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive" target="_blank"&gt;http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt; Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt; Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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