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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>These two photographs show one of three activity packs aimed at children which were available at the Extraordinary Stories from the British Museum exhibition held at the Western Australian Museum â€“ Perth. The exhibition included various items from the British Museum, including three medieval pieces, all of which featured in the activity pack. The items in question were the Queen chess piece from the twelfth-century Lewis Island chess set, the Asante ewer associated with Richard II, the King of England in the late fourteenth century, and the mid-seventh-century silver bowl from the first Cyprus treasure. The activity pack encouraged children to cut out pictures of the items and place them correctly along a timeline.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The red brick and stone building at 152 Elizabeth St in Sydney, New South Wales, incorporates a number of architectural styles. Most prominent of these is the medieval Romanesque style seen in the semi-circular arched windows on the second and third storey, and the doorway. The two oriel windows are usually found in Gothic Revival architecture, especially when used above a doorway as here. Finally, the entrance features two ionic columns with volute capitals, a style first used in Classical Greece. The building also has a low tower with two buttresses on each end, and the parapet on top of the building has crenels on top of the towers, giving the impression of fortification. Part of the ground floor of the building is now occupied by the Oak Barrel Liquor Shop. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This building is at 38 Davey Street in central Hobart. It is at the rear of Parliament House and is part of the proposed Parliament Square redevelopment. The building adjoins the former St Maryâ€™s Hospital building and early photographs show that it was built sometime between 1870 and 1890. The three-storey sandstone building combines Romanesque and Gothic Revival architecture. Romanesque features are the semi-circular arched entrance and rounded arch windows on the top level. The four lancet windows in the centre of the top level are Gothic in style. The building also has a crenelated parapet.   </text>
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                <text>In this article upon the death of Queen Victoria (on 22 January 1901), her reign is described as a period in which â€œwe took a sudden step from medieval darkness to the metaphorically blinding brilliancy of the dawn of the twentieth centuryâ€. Citing the expansion of Empire, the extension of the franchise, the invention of railway, telegraph and the steamship and the establishment of free schools as examples of progress, the article suggests that the legacy of the Victorian era will surpass that of all others, including Augustus, Louis XIV and Elizabeth I, for its combination of intellectual splendour, artistic brilliance and political development. Under Victoria, the author suggests, Britain had become a republic in all but name, because in a break from tradition she was â€œthe Queen of the people, not of Peers and Aristocrats; the Queen of the cottage, and not of the Castleâ€. This shift and the growth of public affection that accompanied it is highlighted by the author in the suggestion that an adaptation of the traditional proclamation â€œThe King is Dead, Long Live the Kingâ€, in use since the medieval period to signify the immediate transfer of sovereignty onto the heir, was unthinkable because her beloved subjects needed time to mourn.  </text>
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                <text>This poster advertises â€˜A Day with J. R. R. Tolkienâ€™, an upcoming event at The University of Western Australia. Hosted by the Centre for Medieval and Early Modern Studies and the Perth Medieval Group, â€˜A Day with J. R. R. Tolkienâ€™ is a day length event open to scholars and interested members of the public. Programmed papers will address topics including â€˜Tolkienâ€™s life and workâ€™, â€˜Tolkien and medieval myths and legendsâ€™, â€˜Tolkienâ€™s outlook on history and politicsâ€™, â€˜Tolkien on screenâ€™ and the continuing significance of Tolkienâ€™s writings.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.</text>
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                <text>State Library of New South Wales, Digital Order No. hood_14970</text>
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                <text>State Library of New South Wales</text>
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                <text>A recreationist knight clad in a chainmail haubergeon and byrnie at the Perth Medieval Fayre. Chain mail was used extensively in the middle ages to fashion protective garments by interlocking thousands of metal rings to form a meshed material. These chainmail garments were worn by medieval knights and soldiers as body armour, although chainmail was gradually superseded by plate armour in the fourteenth century.&#13;
&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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