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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper article&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article34493669" target="_blank"&gt;http://nla.gov.au/nla.news-article34493669&lt;/a&gt;</text>
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                <text>The Order of the Thistle</text>
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                <text>Battle, Battle of Largs, Hebrides, heraldry, King Alexander III of Scotland (1241-1286), King Haakon of Norway, King James II of England, King James VII of Scotland, Largs, medieval Scotland, national emblem, Norway, order of knighthood, Order of the Thistle, Scotland, St Andrew, thistle</text>
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                <text>Explaining the establishment of "The Most Ancient and Most Noble Order of the Thistle&amp;rdquo; in 1687, this article from the Western Argus first discusses the medieval adoption of the thistle as Scotland&amp;rsquo;s national emblem. This it dates to the Battle of Largs fought between the Scottish army of Alexander III and the Norwegian army of King Haakon IV in 1263. In an ongoing battle over the territory of the Hebrides, King Haakon of Norway landed on Scottish shores and planned a night attack on the Scottish camp. However, one of his horsemen stepped on a thistle and cried out in pain, giving them away. The article suggests that the Scots adopted the thistle as their national emblem in remembrance of the Battle of Largs. It then links this to the thistle as the emblem of &amp;ldquo;The Order of the Thistle&amp;rdquo;, an order of knighthood founded by King James II of England (also King James VII of Scotland) in 1687.  The article incorrectly identifies the King of Scotland at the time of the Battle of Largs as Alexander II. King Alexander II had died and was succeeded by his young son, Alexander III, in 1249. Alexander III assumed full powers in 1259 and ruled until his own death in 1286. For more on Alexander III, see Norman H. Reid, &amp;lsquo;Alexander III (1241&amp;ndash;1286)&amp;rsquo;, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2009 [http://www.oxforddnb.com/view/article/323, accessed 18 Dec 2010]</text>
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                <text>National Library of Australia</text>
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                <text>The Western Argus</text>
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                <text>25 February 1930, p.35</text>
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                <text>Western Argus, copyright expired</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article41702770" target="_blank"&gt;http://nla.gov.au/nla.news-article41702770&lt;/a&gt;</text>
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                <text>Promising Colt</text>
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                <text>Alan Lechte - horsebreeder, colt, horse-racing, â€œMedieval Knightâ€, Melbourne, Messrs. William Inglis and Sonâ€™s, racehorse, racehorse lineage, racehorse names, racehorse sale, yearling</text>
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                <text>In this article concerning the sale of a yearling racehorse in Melbourne, the sire is identified as a horse named â€œMedieval Knightâ€. The colt was offered for sale by Alan Lechte in Messrs William Inglis and Sonâ€™s yearling catalogue in 1939. When bidding reached 300 guineas, Mr Inglis informed buyers that the breeder expected a price of 1000 guineas, or he was prepared to race the horse himself.</text>
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                <text>Anon.</text>
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                <text>The Western Mail</text>
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                <text>27 April 1939, p.15</text>
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                <text>Western Mail</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article&lt;br /&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article37934192" target="_blank"&gt;http://nla.gov.au/nla.news-article37934192&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Novel Industry. Australia â€“ Land of the Harp.</text>
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                <text>Agincourt, cello, Crecy, export, gut, Hampton Court, harp, Henry VIII, lute, medieval craft, medieval production, music strings, musical instrument, sheep, tennis racquet, violin</text>
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                <text>In this Western Mail article about Britainâ€™s export of five million yards of musical instrument strings each year, Australia is identified as the top destination for harp strings. In contrast, the article singles out South Africa as preferring fretted instruments and New Zealand the cello. The article goes on to explain that while modern strings could be made from gut, silk, steel or metal wire, the making of strings was a craftsmanâ€™s job dating from the gut strings of medieval instruments, weaponry and recreational equipment: â€˜As far as gut goes, the British tradition runs back to the medieval lute, the bows used at Crecy and Agincourt, and the racquet with which Henry VIII played â€œrealâ€ tennis at Hampton Courtâ€™. Following a definition of â€œgutâ€ as the strong membranes from the insides of sheep and a comment on the skill of British craftsmen in making strings for unusual as well as standard musical instruments, the focus returns to the harp at the end of the article. It suggests that making harp strings was a particularly difficult job because a harp has six octaves, and each string has to be chosen separately.</text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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                <text>11 September 1941</text>
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                <text>The Western Mail</text>
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