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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';" lang="EN-AU"&gt; &lt;a href="http://tasmanian-gothic.com/" target="_blank"&gt;http://tasmanian-gothic.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Tasmanian Gothic: artwork by Elizabeth Barsham</text>
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                <text>Elizabeth Barsham, Pieter Bruegel, Albrecht DÃ¼rer, E.M. Christensen, Gothic, painting, Renaissance, tapestry, Tas, Tasmania, Tasmanian Gothic, website, art, artwork</text>
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                <text>Tasmanian Gothic is the website for Tasmanian artist Elizabeth Barsham (formerly E.M. Christensen). Her work is inspired by such things as medieval tapestries and the Renaissance artists Pieter Bruegel and Albrecht DÃ¼rer (according to the â€˜just a Tasmanianâ€™ tab).</text>
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                <text>Barsham, Elizabeth</text>
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                <text>5 March 2012</text>
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                <text>Elizabeth Barsham, Tasmanian Gothic</text>
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        <name>Albrecht DÃ¼rer</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J&lt;/a&gt;</text>
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                <text>Crunch time: making money from a medieval extreme sport</text>
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                <text>Armour, Bathurst, battle, entertainment, Full Tilt, helmet, jousting, knights, lance, My Small Business, New South Wales, NSW, shield, sport, sword, The Sydney Morning Herald, tournament, war, Rod Walker, David Wilson</text>
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                <text>&lt;p&gt;This online newspaper article by David Wilson appeared in the My Small Business section of The Sydney Morning Herald. The article features an interview with Rod Walker about his business Full Tilt. The Bathurst-based business run fully costumed jousting demonstrations. Jousting became a popular form of entertainment during the High Middle Ages, allowing knights to practice their combat skills.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J%20"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the company see &lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Sydney Morning Herald</text>
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                <text>McLeod, Shane</text>
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                <text>The Sydney Morning Herald, David Wilson</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜The Scaly Monsterâ€™</text>
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                <text>Alderman, â€˜Bloody Jack,â€™ boat, cartoon, democracy, E. Montague Scott (1835-1909), John McElhone (1833-1898), knight, NSW politics, political cartoon, politics, Sydney Municipal Council,  respectability</text>
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                <text>&amp;lsquo;The Scaly Monster&amp;rsquo; drawing shows an unruffled &amp;lsquo;Bloody Jack&amp;rsquo; McElhone boarding a vessel embarking for England. This feisty Sydney alderman had a reputation for forthrightness and &amp;lsquo;fisticuffs,&amp;rsquo; which was not always appreciated by others. He was once referred to by Daniel O&amp;rsquo;Connor as &amp;ldquo;&amp;lsquo;an illiterate mountebank,&amp;rsquo; &amp;lsquo;a commercial Shylock,&amp;rsquo; &amp;lsquo;an unscrupulous vulture,&amp;rsquo; and &amp;lsquo;a political Quilp&amp;rsquo;&amp;rdquo; (See Martha Rutledge, 'McElhone, John (1833&amp;ndash;1898)',Australian Dictionary of Biography, National Centre of Biography, Australian National University, &lt;a href="http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529"&gt;http://adb.anu.edu.au/biography/mcelhone-john-4087/text6529&lt;/a&gt;, accessed 11 June 2012). O&amp;rsquo;Connor had previously had a run-in with McElhone after calling him a &amp;ldquo;servile lickspittle&amp;rdquo;, for which he received a punch below the left eye. It is not entirely clear to whom or what &amp;lsquo;The Scaly Monster of the House&amp;rsquo; refers when he states, &amp;ldquo;I do not care two straws what the public think. I treat the whole matter with contempt&amp;rdquo;. It is probable that the cartoonist is merely highlighting the typical McElhone response to opposition of any kind. By all accounts he was well-used to causing indignation and political controversy. He was, however, essentially an honest man who frequently asked difficult questions of the government, and as a result &amp;ldquo;exposed many public wrongs&amp;rdquo; in the process. A bearded knight charging from behind may be Sir Henry Parkes, or it could be Sir John Robertson who also sported a luxuriant beard and flowing white locks. Either way, the &amp;lsquo;knight&amp;rsquo; is a representative &amp;ldquo;champion of democracy&amp;rdquo; (Marguerite Mahood,The Loaded Line: Australian Political Caricature 1788-1901,Carlton: Melbourne University Press, 1973, p.131), and a visible embodiment of political fairness and respectability.</text>
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                <text>3 May 1884 (p. 13)</text>
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              <text>&lt;div dir="ltr"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/903" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/admin/items/show/903&lt;/a&gt;&lt;/div&gt;</text>
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            <description>A name given to the resource</description>
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                <text>â€˜Lightâ€™ Verses</text>
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                <text>adversary, knight, lampoon, lance, Macquarie Lighthouse, NSW Politics, Port Jackson, satire, Sir Henry Parkes, Sir John Robertson, Sydney Harbour, The Bulletin, verse</text>
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                <text>This poem is an example of the satirical verses published by The Bulletin to ridicule the perceived â€œopportunistic and self-servingâ€ collaborative association between former political opponents (aka â€˜rivalsâ€™), Sir Henry Parkes, and Sir John Robertson aka â€˜the Knight of Clovellyâ€™ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, pp.147-48). The occasion that warranted lampooning here was the inauguration of the new Macquarie lighthouse (South Head, Port Jackson). The poemâ€™s backdrop is that of two â€˜worthyâ€™ knights. Formerly bitter adversaries, they now seem â€˜reconciledâ€™ and working together for the common good, albeit at considerable expense to public funding, and to general good will, while stretching the city of Sydneyâ€™s patience to the limits.</text>
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                <text>Anon.</text>
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                <text>The Bulletin</text>
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                <text>The Bulletin</text>
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                <text>13 March 1880 (p. 3)</text>
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                <text>Public Domain</text>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;a href="http://www.theage.com.au/victoria/woman-hit-in-head-with-sword-as-mock-medieval-battle-goes-wrong-20120315-1v60a.html" target="_blank"&gt;http://www.theage.com.au/victoria/woman-hit-in-head-with-sword-as-mock-medieval-battle-goes-wrong-20120315-1v60a.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Woman hit in head with â€˜swordâ€™ as mock medieval battle goes wrong</text>
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                <text>This online newspaper article by Henrietta Cook appeared in The Age on March 15, 2012. It reports on an incident during the weekly Swordcraft event in Melbourne, Victoria, in which a woman was hit in the head by a rubber sword and required medical attention.&#13;
&#13;
Swordcraft is a live medieval re-enactment game where players wear realistic costumes and fight with weapons made of rubber and foam.</text>
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                <text>Cook, Henrietta</text>
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                <text>15 March 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21874">
                <text>The Age, Henrietta Cook</text>
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        <name>Vic</name>
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        <name>Victoria</name>
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